31 August 2009

Overheard at UVU on 27 August 2009: the Zappa Files

Last week in the bookstore at UVU, I saw two girls, about 20 years old, looking at the textbooks for Music 1010 (Introduction to Music). The book comes with five audio CDs of required listening for the class.

Girl 1: Here's the book!

She examines the book. She seems disappointed.

Girl 1: Oh. This is. Like. Classical music.

Girl 2: Duh. What'd you expect?

Girl 1: I dunno.

Girl 2: Sorry to break it to you, but liking Fall Out Boy and Kenny Chesney does not make you the world's biggest music fan.


I'm taking Music 1010 for a fine arts credit, but I don't yet know if Girl 1 is in my particular class. I can credit Frank Zappa for sparking my interest in classical music. Though best known as a rock and roll musician, Zappa also wrote classical and orchestral music from his teen years. In his hilarious autobiography...

...Zappa wrote how he was turned onto classical music by Edgard Varèse. While browsing in a record store as a kid, Zappa came across an LP of Varèse's composition Ionization. Zappa had no familiarity with Varèse, but was intrigued by the composer's intense, mad-scientist appearance on the record cover:

Varèse never lost a staring contest.


The thoroughly avant garde Ionization fried Zappa's little brain. So smitten was Zappa that he asked, as a birthday gift, to make a costly long-distance telephone call to Varèse in New York City.

Written between 1929 and '31, and premiered in '33, Ionization was the first orchestral piece performed entirely by percussion. Varèse was hearing sounds in his head that he was able to emulate only with percussion instruments; in later decades he was a pioneer of electronic music, hoping to better capture the sounds he imagined. Here's version of Ionization, conducted by Pierre Boulez:



For most of his life, Zappa was relatively unsuccessful in getting his orchestral works performed. In his autobiography, Zappa explained how the world of classical music can be ridiculously parochial. To make worthwhile connections, young composers have to study at the right school, under the right teachers, and have to embrace the fashionable ideological aesthetic. Zappa was essentially self-taught. Plus, musicians are often trained on a set repertoire of works, and while they can play those works well, they sometimes can't play much else. Learning new compositions requires a lot of time. Zappa's orchestral works were ridiculously complex; he knew music theory inside out and upside down. And Zappa's irreverent sense of humor probably didn't endear him to the stuffed-shirts. Imagine a concert hall flyer:

Our Summer Program Will Feature:

"Symphonie Fantastique," Op. 14 (Berloiz)

"Concerto for Piano," Op. 38 (Barber)

"Dog Breath Variations" (Zappa)


A few luminaries (Boulez, John Adams) championed Zappa's music, but to rather little success. After years of frustration with the orchestral world, Zappa turned to the Syclavier to realize his "serious" music. The Synclavier was one of the first digital samplers, which Zappa used to great effect on his Grammy-winning 1986 album Jazz From Hell. Like Varèse, Zappa turned to electronics when other options didn't entirely work for him. In his book, Zappa wrote, "One of the good things live musicians do is improvise. They respond to the moment, and can play with more expression than a machine. (Not that a machine knows no expression, but I have to type in a lot of numbers to instantly get the same amount of expression as of a well rehearsed band). [However], machines don't get drunk, stoned, or fired and don't need help to carry their families with them from here to everywhere in cases of emergency." Zappa died in 1993, and I've occasionally wished he could've lived another ten years. The Synclavier was innovative, but cumbersome and difficult. Had Zappa gotten his hands on a modern laptop, with Pro-Tools and other sound-editing software, he'd have made Radiohead look like kindergarten kids pulling the string on a Speak-and-Spell toy.

A few years before his death, however, the Ensemble Modern, a German group, dragged Zappa away from his Synclavier, insisting they were ready to help realize his orchestral compositions as he imagined them. Zappa was dubious. He'd heard such promises before. But the Ensemble Modern lived up to their promise, and Zappa said the experience was perhaps the most satisfying of his career. Here's the Ensemble Modern, with Zappa conducting his own "G-Spot Tornado." The dancers are from Canada's La La La Human Steps troupe; Zappa insisted that orchestral music was kinda boring to watch, so he enlivened the proceedings:


More essential listening, though I doubt "The Girl in the Magnesium Dress" is in my class syllabus:

28 August 2009

You Had Some Kind of Spontaneous Regression

27 August 2009

The Gate

26 August 2009

Dead Kennedy

Were Ted Kennedy's final hours haunted by the ghost of Mary Jo Kopechne? Whether literally or figuratively, I think Kopechne's ghost hovered over Kennedy's head many an hour. Driving your car off a bridge into the ocean and leaving your passenger trapped in the car, and not reporting the incident to authorities for over ten hours has got to weigh on your conscience. Especially when the professional diver who recovered Kopechne's body said that she probably survived for at least two hours before drowning in the overturned car.

Do we judge people by their best or their worst?

Are some worsts unforgivable?

When I was about 20 years old, I read Joyce Carol Oates's novel Black Water. Inspired by Kopechne's death, Black Water is narrated by a Kopechne proxy character who leaves a party with an unnamed Senator, and who spends her final hours trapped in a sinking car.

Hell of a good book; might've been the first Oates I read. Perhaps Black Water planted seeds in my mind that haven't flowered until today.

And upon hearing the news of Kennedy's death, I quickly thought of these guys:

I'm unspeakably disappointed that no band's done an updated version of "California Über Alles" since Ah-nold's election. The Disposable Heroes of Hiphopracy did a good version of the tune when Pete Wilson was governor. But the current crop of politically minded rock groups have ignored a golden opportunity. If anyone deserves a roasting, it's the muscleman and tangential Kennedy relative with no substantial political or business experience who was inexplicably put in charge of the world's fifth largest economy.

After Dead Kennedys broke up, singer Jello Biafra devoted a lot of time to spoken word tours. Like his lyrics, his lectures were a blend of dark humor and cutting commentary on whatever topics raised his ire. Biafra's first spoken word album, No More Cocoons (1987)...

...featured a track called "May All Your Dreams Be Wonderful," where he discussed the Heritage School in Provo, Utah. Operated by the same folks who run the notorious Provo Canyon School (and on the same parcel of land), these facilities are either a harsh but effective last resort for desperate parents dealing with dangerous, unmanageable teenagers; or a mind-control and torture center masquerading as a mental health and drug rehab facility. Former patients have occasionally filed lawsuits against the Provo Canyon School, alleging chronic mistreatmnet.

The Provo Canyon School is about five miles from the home where I grew up. I heard all the horror stories about what went on in that place. Most of the accounts were second-hand hearsay. But I believed the stories. Why? I knew a girl who went there. Many of the "troubled" kids at the Provo Canyon school, she said, had been physically or sexually abused by their family members. But the trouble started when the kids got big enough to fight back, and were old enough to start running away from home and/or getting high to cope with years of abuse. She declined to discuss her experiences, but confirmed that the horror stories I'd heard were believable.

Shot off on a strange little tangent, didn't I?

Oh well.

Welcome to Provo Canyon, you little asshole:
Jello Biafra - May All Your Dreams Be Wonderful
Found at bee mp3 search engine

Twenty grand a year is a small price to pay to avoid talking straight with our kids...

25 August 2009

Stillborn Cyclops

23 August 2009

One Final Note

22 August 2009

A Mental Mind Trap!

20 August 2009

Soul Murder

"There's a lot of press about male violence against women, but one of the things we don't look at is a sort of soul violence that women carry towards men when they imagine they've married the prince. As the actual man shows up, the rage women feel over the disappointment of not getting a prince can be vicious. I'm speaking for I can't tell you how many couples I've seen in my office. The women do not feel that they're being violent or vicious or destructive when they lambaste their men for not being their feminine ideal. They believe, in some unconscious manner, that they really are entitled to the prince, and it's okay to abuse this guy because he's not perfect."

Psychologist Judith Shervan's comment might be too little, too late for Mark Joyella of the Bronx, New York City. According to the Daily News, his wife Tiffany Wong created a blog called "My Husband Is Annoying ." And Mark says he's totally okay with his wife publicly shaming him about how he sometimes leaves laundry on the floor and has difficulty working a 50-button television remote control. Why would anyone tolerate such disrespect? Perhaps Mark is worried that Tiffany will beat the shit out of him if he gets mouthy:
Photo swiped from DailyNews.com

The Daily News article has a video of the newleyweds, married five (!) months, wherein Mark characterizes his wife's blog as "loving." Call me old-fashioned, but I don't think that publicly shaming someone over petty grievances qualifies as "love." Blogging under your own name requires discretion. I sometimes gripe about dating, but I'd never use someone's real name, and I've griped about particular girls only after I knew I didn't want to see 'em again.

Psst, Mark: mywifeisaharpy.blogspot.com is available. Just sayin'.

Why might Wong feel justified in making a spectacle of her husband? Sherven has an insight: "I do not see that women are any more emotionally available than men. Truly. They may be able to cry more easily, just like men can get angry and rage more easily. But when it comes down to actually telling their truth, their emotional truth, to a man they care about, I don't see that women can do it with men any better than men can do it with women. And I'm saying that after seventeen years of doing counseling and psychotherapy who-knows-how-many seminars and conferences."

Have women been flattering themselves for decades with all their talk about how men don't open up as readily as women? Sherven's professional opinion is "yes."

But everyone knows women are more caring and empathetic than men, right?

Try again. According to journalist Cathy Young, "Women tend to consider themselves more empathetic than men. But some studies have found that how people rate themselves on empathy or other traits is almost unrelated to how much of those traits they exhibit in real life." How 'bout that: someone's assessment of their own empathy doesn't necessarily translate into behaving kindly or compassionately.

Why might women file for divorce twice to four times as often as men? A complex question, with no simple answers. But one important influence is the fact that women tend to believe they have an innate right to dictate the terms of relationships. Activist Barbara Dority says, "In most developed countries, women are in charge of intimate relationships. I don't mean just sex […] Women are in charge of intimate relationships, period. Men are taught that they don't know anything about relationships and that they must rely on women." Ah, that explains why it's so difficult to find a woman who'll be fair with me: many women honestly don't think they're obligated to even try meeting men in the middle. And professor Elizabeth Herron explains another major factor in divorce when she says, "I think that almost all women – and I don't think I'm overgeneralizing here – when their relationship is not going well, they usually think that it's the man's fault." Might women file for divorce more often because they see themselves as inherently blameless, thus presuming that relationship roblems are always his fault? If so, what kinds of problems do women complain of in husbands? According to Herron, "Often you hear that it's his incapacity for intimacy." Why might a man have limited capacity for intimacy? Because us guys are more distant and cold when compared to warm, nurturing gals? No, we've already debunked that falsehood. Because his biggest mistake in life was loving a woman with unrealistic expectations who murdered his soul? Getting warmer. I listen to Dr. Laura's radio show a few days a week while driving home from work, and one of her commonest comments to women (far more than to men) is that they need to adjust their expectations of relationships. Men are typically more pragmatic, she insists. I agree, but my bias is obvious. To paraphrase one of Schlessinger's pithy comment from a week or two ago following a particularly exasperating caller, "After nearly thirty years with this show, I've noticed that men are more likely to try adapting to the world. But women are more likely to expect the world to adapt to them." (Paraphrased because I was driving when she made the comment, and I decided – quite pragmatically – that preserving her insight verbatim was less important than not rear-ending an Escalade driver with Merging Lane Uncertainty Disorder.)

According to a 2004 study by Barbara Dafoe Whitehead and David Popenoe of Rutgers University, most American men are married, or want to marry, and have a generally positive opinion of marrige. However, the percentages of never-married men have spiked drastically in recent decades. About a fifth of American men are "hardcore marriage avoiders." Why might these men evade marriage so vehemently? Another complex subject. But Sherven fits a puzzle piece into place: "If the woman has a unilateral attitude that it's 'my way or the high way,' and we start seeing men take the highway, we have to take a look and say, 'This cannot all be men's fault.' And for a lot of those men there may be wisdom in taking the highway."

Lately, I've been trying to find a sense of equilibrium regarding my opinion of women. On one hand, I want to judge women as individuals, and part of me says, "Don't deteriorate into bitterness and finger-pointing." But on 'tother hand, part of me knows about the fallacy of the false compromise: when confronted with two competing ideas, the truth is not always in the middle (there was no win-win solution for the Nazis and Jews, as an extreme example). This part of me screams, "Oh hell no; people have fed me tons of shit about women and told me it was pudding, so if I'm pissed off and have a bad taste in my mouth I've fucking earned it." I've ripped off my blinders. My peripheral vision captures lots of data I previously missed. And my interpretation of the data has changed. As BusterB wrote:

"Men often laugh that they don't understand women. Women revel in the fact that men don't understand them. Men don't understand women because they assume from the outset that women are generally good and honourable, and that women have good intentions ('hearts of gold'). They believe this because women, starting with their mothers, have told them so.

"The sad truth is that women make a whole lot more sense once you assume that women are deceitful and scheming. Now, I'm a scientist, and I know an overgeneralization when I see one. I do not means that all women are deceitful and scheming, or that women are deceitful and scheming all of the time. What I'm saying is at those times when men just shake their heads in bewilderment and don't understand how they were just outmaneuvered by a woman, [men should] stop and mentally erase the assumption that she is kind-hearted and honourable, and suddenly her behaviour becomes sensible and even predictable
."

Application of this concept has been intriguing. For one thing, Buster B's absolutely accurate. Some women certainly tend towards kindhearted and honorable behavior. But in many other cases, women are anything but kindhearted and honorable. I've gradually trained myself to not give the benefit of doubt when a woman confuses me. I strip away assumptions that she's fair and, predictably, her behavior makes sense. Bearers of two x-chromosomes no longer get a free pass from me. (Stay tuned for semi-juicy information on that subject; at least as juicy as I can make it without violating a confidentiality oath. Seriously.) And since mentally erasing the assumption of kindheartedness and honor when I'm confused by a woman, I have occasional flashbacks from years past. Y'ever hear a joke but not understand the punchline 'till a few days later? I've been occasionally feeling kinda like that. Except the joke's on me, and it wasn't funny. I'll have a moment of delayed understanding, followed by a flash of delayed anger: "Oh my God! I get it now! That bitch!"

A percentage of women, particularly in dating, behave as if they didn't owe me anything approaching reciprocity, decency or maturity. Am I reading into things? Perhaps, in some cases. But certainly not in all cases. According to therapist Laurie Ingram, "Women often don't deal with things up front […] Most people, men and women, are immature emotionally, but a lot of women in this regard are functioning at around age nine or ten." After digesting Ingram's comment, many common dating "games" make a hell of a lot more sense; the term "headgame" took on a new meaning. A ten year old signals affection by throwing pebbles at a playground crush. A decade or more later, a quote-adult-unquote signals affection by agreeing to a date only to ignore him or her for a week to make 'em wonder if they're really interested. But Ingram confirmed that I was handling myself pretty well: if I have onionskin-thin patience for headgames from dates or potential dates, I must be at least a few years beyond nine or ten, emotionally speaking.

And, I realized, only a ten-year-old would sincerely expect to marry not a flawed man, but a prince. And only a ten-year-old would respond to this reality not by altering her expectations, but with abusive, hectoring soul murder.

But on the bright side, some men can make a career from wives murdering their souls:



Apart from Buster B and the Rutgers study, all quotes are from Jack Kammer's Good Will Towards Men: Women Talk Candidly About the Balance of Power Between the Sexes, A Promising New Way To Heal Male-Female Relationships. St. Martin's Press, 1994.


17 August 2009

The Strange Face of Love

This Is Crazy

16 August 2009

A Force Shaping the World

15 August 2009

I Guess You've Heard the Story

Rashied Ali, 1935 - 2009

Upon hearing that drummer Rashied Ali died, I thought of Interstellar Space. Recorded in 1967 but unreleased for seven years, Interstellar Space was the final studio album of saxophonist John Coltrane.

Considering the innumerable hours I've listened to his music, I'm slightly ashamed that I've not mentioned Coltrane before now on this weblog. One of the many interesting facts about Coltrane is how rapidly he progressed, and how relentlessly creative he was. The man did. Not. Stop. In 1961, he recorded My Favorite Things. Comprised of four lengthy versions of pop standards, the album is among the prettiest, most accessible jazz albums. But Coltrane's music grew increasingly experimental as he chased his muse. Coltrane pissed off a lot of fans who expected him to repeat his past victories, and he baffled a lot of critics who didn't know what the hell to make of it and demanded explanations. In general, Coltrane was too busy to give a damn about ants at the picnic...

In February 1967, Coltrane and Ali recorded a series of abstract duets that later comprised Interstellar Space. No piano, no bass; harmony was increasingly an irrelevant impediment the new lands Coltrane was exploring. And with Ali, he found a drummer who could imply the beat without hammering it into the floor.


One of the common complaints of the "free jazz" movement that Coltrane and others sparked was that the musicians made weird noises and played irregular times because they didn't have any real skill on their instruments. This charge was certainly true in some cases. But those bandwagon hoppers quickly fell off the wagon after a few bumps in the road. Only the guys who could really play had lengthy careers. Rashied Ali formed a new quintet in 2003, playing a mix of more traditional jazz and experimental stuff. They toured Europe and earned a short feature on (Czech?) television:


For his 1996 spoken-word album Everything, Henry Rollins hired Ali and saxophonist Charles Gayle to provide music on a few readings. I found a snippet of Everything, which doesn't include Ali, but does include the lines "The image of a smiling woman slams men down into the bottle / Loneliness so deep and hard to crack the spine to even think about it." I'll take what I can get.

R.I.P., Rashied...

14 August 2009

Les Paul, 1915 - 2009

Les Paul died yesterday.

Every time you listen to music on the radio, download an MP3 file -- literally every song -- the odds are that you can thank Les Paul for at least one of two major elements of the song.

For one, Les was probably the most important of the people who developed the electric guitar. He didn't invent the electric guitar, but he invented the solid-body electric guitar. Previous electric models had lots of problems with amplification and feedback because they were basically modified acoustic guitars. That hollow body of the guitar, which is essential to project the sound of a vibrating string on an acoustic instrument, was a disadvantage when amplifying the sound electrically. But Paul solved that problem in 1939, when he invented "The Log," essentially a piece of lumber with a guitar neck attached.

The Log is on the left...


...and to the right is a Gibson Les Paul Custom.
Log photo from here, Les Paul custom pic from Wikipedia.


Working with Gibson guitars, Les elaborated on the the Log, producing many makes and models of electric guitars. Les Paul's guitars became some of the most distinctive, iconic guitars in modern music. They're used by hundreds of notable players. Including Les Paul, himself a tremendously agile guitarist. That's Les seated, with Chet Atkins, on the pop standard "Avalon."

Watching this video reminded me that, during the 1940s, Les's right arm was shattered in a traffic accident. Doctors essentially had to fuse his elbow in one position for the rest of his life. So Les told 'em to fix it so he could continue to play guitar. I wonder if anyone expected he'd keep playing for 60 years?

Les Paul's second major innovation was multitrack recording. The vast majority of pop music is recorded in multitrack. The drums, bass, keyboards , guitars, you-name-it, and vocals are all recorded separately, often at different times or recording studios. Prior to multitracking, performers all recorded in the same room, playing as an ensemble. Multitrack recording offers innumerable advantages, and it's impossible to imagine modern music without multitracking. And Les Paul invented multitrack recording by tinkering in his effing garage. As if that's not impressive enough, he didn't have magnetic tape to record on during his early experiment. Oh no. Les Paul used acetate disks, essentially do-it-yourself records on a customized turntable he rigged.

When Les got his hands on magnetic recording tape, all bets were off. He invented echo effects and refined the recording process. One of the major advantages of multitrack recording is obvious when you listen to Les's multiple guitars backing his wife Mary Ford, who harmonizes with her own vocal on "How High The Moon," a hit single from 1951.
Les Paul & Mary Ford - How High The Moon
Found at bee mp3 search engine

Still sounds good today. Imagine how startling this song would've been half a century ago; no one had ever heard anything quite like it. Les and Mary sold millions of records in the '50s.

Les Paul was active in music until the very end of his life, with a regular Monday night gig at the Iridium club in New York City. Here's the first portion of Chasing Sound, a documentary about his life and career:

R.I.P., Les...

Play Your Cards Right

13 August 2009

High-Fat Diet May Make You Stupid and Lazy

"A new study on rats finds that 10 days of eating a high-fat diet caused short-term memory loss and made exercise difficult. While the finding may not seem a big surprise, the researcher say it might suggest that high-fat diets make humans lazy and stupid."

Rather a no-brainer (pun intended). Still, though: Science says "Ha!"

The article mentions how researchers at the University of Cambridge ran the rats through mazes to test their thinking -- because rats can't take the Minnesota Multiphasic Personality Inventory, I assume. But I wonder how the researchers fed fatty foods to the rats:

"Subject 42a isn't responding to the sample diet. Too much nougat."

"Did you give him a Mars bar again? He's allergic to almonds! His little whiskers will fall off!"

"Shit..."

"Replace with 2 grams of Mallomar administered four times daily."

11 August 2009

Medea in Walnut Creek

I

"Women commit the majority of child homicides in the United States, a greater share of physical child abuse, an equal rate of sibling violence and assaults on the elderly, about a quarter of child sexual abuse, an overwhelming share of the killings of newborns, and a fair preponderance of spousal assaults. [...] The sole explanation offered by criminologists for violence committed by a woman is that it is involuntary, the rare result of provocation or mental illness, as if half the population of the globe consisted of saintly stoics who never succumbed to fury, frustration, or greed. Though the evidence may contradict the statement, the consensus runs deep. Women from all walks of life, at all levels of power — corporate, political, of familial, women in combat and on police forces — have no part in violence.

"It is one of the most abiding myths of our time."

Patricia Pearson, When She Was Bad: Violent Women and the Myth of Innocence, 1997, Penguin Putnam.

Medea, written by Euripides in 431 BC, is widely recognized as one of the most important plays from Ancient Greece.The titular character is married to Jason, who led the argonauts to find the golden fleece. However, Jason abandons her to marry Glauce, daughter of King Creon of Corinth. He apologizes to Medea for the turmoil he'll cause her and their two kids. But he promises to pay the ancient Greek equivalents of alimony and child support, and invites her to be a mistress so she can maintain some social standing. Medea kindly invites Jason to cram it sideways and break off the handle. She then goes about proving how hell hath no fury like a woman scorned.


Medea brewing poison, as painted by Anthony Frederick Augustus Sandys, 1868.


First, Medea counsels with a group of Corinthian woman, who vet her plan. Jason has wronged her, they insist, so her urge for revenge is righteous. As translated by E. P. Coleridge Medea says to the children's nurse, "Now will I explain to thee my plans in full; do not expect to hear a pleasant tale." Under the guise of a peace offering, Medea poisons King Creon and Glauce. But she's still not satisfied. Medea decides to kill her two children, to hurt Jason in the most devastating way possible. The children's nurse objects: "Why, pray, do thy children share their father's crime?" Medea replies, "No word divulge of all my purpose, as thou art to thy mistress loyal and likewise of my sex." In other words, "If you're loyal to me and to all women, don't snitch. It's us against the men." After killing her children Medea flees to Athens with two little bodies, denying Jason a funeral and burial.

A leading literary interpreation of Medea has become prominent in academic scholarship over the past 20 years. Is Medea seen as a vivid depiction of the destructive power of vengeance? Nope. Is the play cited as an example of how the breakdown of a marriage leads to suffering for families? Try again. How Medea is driven to madness by a series of betrayals and misfortunes? Wrong. Is Medea an early feminist, refusing domination in a male-dominated society? Winnar!

Undoubedtly, Medea gets the shaft. She saves Jason from an effing dragon, relocate to his city, then she's unceremonesously dumped when Jason can marry up. These facets of the play arguably represent Medea's inferior status. But morally or logically, how can a woman's callous decision to murder her own children to spite her ex be construed as anything other than the worst kind of evil?

II

"The Walnut Creek [California] woman who killed her teenage son on Mount Diablo before shooting herself was angry that the boy was spending more time with her ex-husband."

Despite the horrorshows of several recent "fetal kidnappings" via Stanley-knife C-section, the crime of Judith Williams, 51, is the crime that's refused to leave my mind. I had a nightmare about her.

On 17 July 2009, Williams drove her 17 year old son Adam to a popular lookout spot in a state park near Oakland. She took a photo of Adam, before shooting him and killing herself. In her suicide note Williams said she was in financial trouble, and was angry because Adam had reestablished a relationship with his father Bill.

In 1996, when Adam was about five years old, Williams filed for divorce from Bill. Why'd she file for divorce? The news doesn't say. I can only speculate. But statistically, the most likely option is that she simply tired of Bill. Women file for 75% of divorces, and the overwhelming majority of those are no-fault divorces without allegations of infidelity, abuse or addiction. After the divorce, Bill moved to his home state of Missouri. A few years ago, he returned to California to be closer to his son. But mamma didn't care for that...

During her invocation of Medea in Walnut Creek, Williams was primarily motivated by a desire to hurt her ex-husband. The worst kind of evil.

III

Women commit the majority of child homicides not only in the United Satates, but worldwide. And worldwide, women are more likely to kill their sons than their daughters. These figures are consistent even after adjustment for single and two-parent families. Everywhere we look, the most lethal person in a young child's life is his or her mother.

In Finland. See Vanamo, et al., "Intra-familial child homicide in Finland 1970–1994: incidence, causes of death and demographic characteristics" in Forensic Science International vol. 117, no. 3, 2001.

In South Africa. See Byard, et al., "Murder-Suicides Involving Children: A 29-Year Study" in The American Journal of Forensic Medicine and Pathology, vol. 20 no. 4, 1999.

In Brazil, Canada, the United States, the United Kingdom, Sweden, Austria, New Zealand, Australia, Japan, Hong Kong, and Turkey. See Friedman et al, "Child Murder by Mothers: A Critical Analysis of the Current State of Knowledge and a Research Agenda" in the American Journal of Psychiatry vol. 162, 2005.

I'll never again take it as an idle threat when a woman says she brought her child into this world and also can take 'em out of this world.

Incidentally, my personal experiences align with these broader scientific findings. My dad spanked me once when I was a child. He calmly explained the spanking was a punishment for a misdeed: he'd warned me to cut it out, I didn't cut it out, and a spanking was the consequence. With the palm of his hand, dad delivered four or five swats to my butt. My mom, on the other hand, didn't use her hand. She preferred wooden spoons. Mom delivered a frenzied fusillade at least six or eight occasions as a kid; twice while her fuse blew while talking on the phone I outran her as she tried to spnk me and maintain the conversation. Once she broke the spoon. I never knew exactly why she was whacking my ass. Her behavior was arbitrary, unpredictable. And using a wooden spoon meant that she was more likely to inflict severe damage, and less likely to feel any discomfort compared to a slap with a hand. In hindsight, "abusive" seems an apt word to describe my mom's behavior.

IV

Messages permeating the culture say that women have a special claim to spiritual, moral, ethical, communicative and emotional superiority. The message is pervasive, yet can be subtle and so firmly established that it's unquestioned. For example, husbands on television are typically portrayed as bumbling, inept, egomaniacal fools; mischievous little boys in oversexed men's bodies. For half a century, from Jackie Gleason to Ray Romano, husbands are routinely depicted as useless without the chiding and guidance of their longsuffering wives.

And it ain't just on teevee that one finds evidence of sexist double-standards and anti-male bias. In his 1994 Master's thesis for Canada's Wilfrid Laurier University, Jim Boyce did a systematic review of Canada's daily newspaper headlines. When reporting violent crimes, the papers demonstrated a profound bias. If females suffered a violent crime, their sex was mentioned in the headline over 90% of the time. But when males are victims of violent crime, their sex was mentioned less than 5% of the time. This bias even extended to crimes against children. A headline on rampant sexual abuse of girls: "8 in 10 native girls sexually abused, study finds." Compare with a headline on rampant sexual abuse of boys: "Beatings, sexual abuse alleged at Catholic-run reform school in Ontario."

The message from Canadian newspapers – and I suspect that America aint different; read your local newspaper critically -- is this:

Pity female victims. Ignore male victims.

In his 2007 speech to the American Psychological Association, Roy F. Baumeister said, "On the Titanic, the richest men had a lower survival rate (34%) than the poorest women (46%) (though that’s not how it looked in the movie). That in itself is remarkable. The rich, powerful, and successful men, the movers and shakers, supposedly the ones that the culture is all set up to favor — in a pinch, their lives were valued less than those of women with hardly any money or power or status. The too-few seats in the lifeboats went to the women who weren’t even ladies, instead of to those patriarchs."

John Jacob Astor IV and his wife were two of the wealthy who nobly sacrificed themselves on the Titanic so that the poor could survive.

John and Madeline Astor, ca. 1911; public domain photo.

His cousin, Lady Nancy Astor, famously quipped, "I married beneath me. All women do."

I beg to differ.

V

"Women invent rules, manipulate men to obey them, and so dominate the male sex. Of course, these rules in no way apply to women themselves." Esther Vilar, The Manipulated Man, 1972.

Common cultural messages say that women are victims, and also that women are morally superior. Yet when such platitudes are tested against hard facts, the ideas falter. Women are at least as likely as men to use physical violence in dating and marriage, and commit substantially more emotional abuse. Women commit more physical child abuse, and 25% or more of child sex abuse. Women are more likely to kill their children, especially their boys.

Men die an average of seven years earlier than women, yet there's no Federal office of men's health alongside the office of women's health. Men tend to work longer hours at more dangerous jobs. But Allianz, the world's second largest financial serves firm, estimates that women will control 60% of America's wealth by 2010.

Women can't be collective victims of collective male oppression and also control 60% of the nation's wealth. Women can't be victims of a patriarchy when innumerable laws are slanted in their favor. Women cannot expect gentlemanly chivalry from men and also expect to compete with men in the marketplace. Women cannot claim a monopoly on suffering male violence when men are most likely to kill other men. Women can't claim to be the more nurturing sex who automatically deserve physical custody of children following divorce while when women are also substantially more likely to abuse and kill their own children.

I'm no longer confused by the mixed messages. Now, I see such inconsistency for what it is, at least partly: abuse resulting in cognitive dissonance. I have a new working theory to explain the double standards I see so often: DARVO (Deny, Attack, Reverse Victim and Offender). Psychologist Jennifer Freyd coined DARVO to describe the predictable response many abusers exhibit when confronted about their mistreatment. Freyd writes, "I have observed that actual abusers threaten, bully and make a nightmare for anyone who holds them accountable or asks them to change their abusive behavior. This attack, intended to chill and terrify, typically includes intimidation, overt and covert attacks on the whistle-blower's credibility, and so on. […] The offender is on the offense and the person attempting to hold the offender accountable is put on the defense." See Freyd, J.J. "Violations of power, adaptive blindness, and betrayal trauma theory." Feminism & Psychology, vol. 7, 1997.

Freyd originally intended DARVO to describe sexual predators. But the concept applies to other contexts. For one, imagine a husband who beats his wife then blames her for his outbursts. For another example, take this statement by therapist and author Audrey Chapman: "During a seminar I did with black men and women, the men decided to express to the women some things that they had never had a chance to say. So the men started expressing their pain and disappointment. They started expressing how they feel about not being accepted for who they are, for not having their struggle recognized, for having the women respond to them in very self-centered ways where the women were only talking about what they needed, what they wanted. 'You want, want, want, want all the time. Can't you see that I'm working with very limited resources? I'm doing the best I can...' And as they were in the midst of talking about that, the women lit into them. I mean they fired at them! the women started screaming and yelling at them, 'How dare they be so insensitive and uncaring!' And all the kinds of foul statements that can be made. And the men shut down. They shut down. They couldn't say another word." (Chapman quoted in Jack Kammer's book Good Will Towards Men: Women Talk Candidly About the Balance of Power Between the Sexes, 1994, St. Martin's Press). Consistent with DARVO, Chapman describes women who denied the validity of the men's opinions, framed themselves as the victims, and attacked the men to shame them into silence.

Other examples of female DARVO are obvious. Women – as a class – commit more physical child abuse, and the larger portion of child murders. Women – as a class – are substantially more likely to harm the most innocent and defenseless humans. Yet women also have the temerity to claim they're inherently gentler, kinder and more loving, and accuse men – as a class – of being more inherently violent. Women initiate the majority of divorces, yet accuse men of fearing commitment.

Deny. Attack. Reverse victim and offender.

If men are afraid of committing to women, perhaps it's not an irrational phobia, but the canny fear of a jailhouse prisoner who's learned the most painful way possible not to completely trust anyone, and when to keep his back to the wall.

VI

Since about April 2009, I've undergone a drastic reappraisal of women. Initially, I was verging on misogyny: a hatred of all women. Following a fixed number of kicks to his heart by the so-called fair sex, a man begins noticing patterns of behavior. I still insist, quite reasonably given my experience and the data I've discovered, that many women simply don't give a damn about how their behavior affects men. I felt the outrage of a casino customer who'd entered the game in good faith, then suddenly realized he'd been losing because the croupier was dealing from the bottom of the deck.

But once my emotions cooled, I began the first of several of my patented data-digs. When a subject strikes my interest, I am unrelentingly curious. I want to understand it inside out and upside down. I'll read as many books, essays and articles as required to quench my burning curiosity. One of my goals in life is to earn a living (or at least some cash) by researching and writing about whatever topic drifts through my mental transom and affixes to my brain like velcro. But I digress.

The last few months I've become more enlightened: I see reality more accurately. Despite the everpresent messages in the culture, it's obvious that women – as a class – have no special claim to victimhood or moral superiority. Like many other men my age, I was raised to defer to women as a class, to show them immense respect and consideration. But many or most women my age don't reciprocate that respect and consideration. They've become entitled and fail to recognize that to get respect they must also give respect. And with entitlement can come worse excesses: such as the common double-standard that says when a man does wrong it's his fault, and when a woman does wrong it's also his fault because it certainly can't be her fault.

Deny. Attack. Reverse victim and offender.

"We [women] have to start looking at our feminine shadow and own that as a part of ourselves and stop projecting it onto males and onto the masculine. It creates the idea that only men abuse. It's only men who are patriarchal. It's only men who are controlling, or greedy, or competitive, all of those negative adjectives that get attached to men and masculinity. Women are capable of just as much viciousness, cruelty and abuse as men." Carolyn Baker, Reclaiming the Dark Feminine, New Falcon Press, 1996.

10 August 2009

Here, Kitty Kitty

09 August 2009

Actually interested or just playing mind games????

08 August 2009

Willy DeVille, 1950 - 2009

I haven't heard any of Willie DeVille's music in ages. But upon hearing he'd died, I instantly remembered that rough, soulful voice of his. Here's a 1982 video of Willie with his first group, Mink DeVille, doing "Spanish Stroll."

R.I.P., Willie...

Teeny-Tiny Art

Get your eyeglasses and microscopes, people (you don't have a microscope? all us hepcats have microscopes this season) because it's the Art of the Invisible exhibit from University of Oxford!

Very interesting stuff from the history of microscopy.

Like these protozoa, which are either humping or cannibalizing one another. Why not both: are protozoa kinky?



Yeah, I think I invented the word "microscopy", but it sounds official, so I'm gonna claim it...

07 August 2009

Are You Quite Sure This Is Wise?

05 August 2009

At Last My Crew of Apes Is Ready!

02 August 2009

Hanzi Smatter

Lately, I'm addicted to the addictive Hanzi Smatter website. It was created by engineering student Tian Tang, and is "dedicated to the misuse of Chinese characters in western culture," especially those Chinese (or "Chinese") tattoos that the kids think are the bees knees.

Any of my legions of devoted readers with a Chinese or Japanese tattoo is advised to stop reading now, lest they be consumed by regret.

Take NBA player Shawn Marion's leg tattoo. He believes the characters are the Chinese version of his nickname "The Matrix."



Marion can take some consolation in the fact that his tattoos are accurately-rendered -- lots of people on Hanzi Smatter have pseudo-Chinese gibberish. But Marion probably didn't know that the movie The Matrix was called Hackers' Empire when released in Chinese-speaking areas. And he was also probably unaware that his three tattoos characters mean, top to bottom, "demon, evil spirits; magic power," "bird," and "camphor." His leg tattoo thus means something like "Demon Bird Mothballs."

I also like the open letter to Cosmo magazine in response to a piddling article on guys with "Asian Character" tattoos. According to Cosmo, getting that kind of ink means, "this stud craves mystery in his life [...] Since few will know the translation of his chosen character, he relishes the opportunity to explain the hidden meaning behind it. He uses the symbol to give people insight into his personality and what he's all about."

Tian's response? "Are you f*cking kidding me?"

Dumb tattoos are interesting to me, because they make the dumb shit I've done in my life look smart. I've done dumb, but never done permanent dumb. And especially not on my face.